BT 709 vs BT 2022

For current projectors on the market there are three main color gamut standards used: Rec.709 (also known as BT.709), DCI-P3, and Rec.2020 (also known as BT.2020). Though there are major overlaps between these color gamuts, each one still stakes out a distinct area within the visible color space 3:30 You Can Compare Pictures From Here.How to bring back Colors from 4k HDR BT.2020 Videos. Output Video only in HD. For 4k you need to get your video in. bt.709和bt.2020都是itu-r发布的电视参数标准。bt.709是《节目制作和国际节目交换中使用高清晰度电视标准的参数值》,指定了高清电视也就是常说的1080p电视的参数标准。bt.2020是《超高清电视系统节目制作和国际交换的参数数值》,指定了超高清电视(包括4k和8k)的参数标准 Can one argue that 8 bit and bt.2020 should never be mixed? bt.2020 covers nearly 76% of the CIE color space while rec.709 only covers about 36% of CIE. Since you get more than double the hues in each color primary you need at least 9 bit color to prevent significant banding, colors that appear within rec.709 will be lost and essentially. A Wider World of Color Color is the next key component of HDR. The Ultra HDTV format uses a color gamut called BT.2020 that's notably wider than the Rec. 709 one used for standard HDTV. However, the added brightness provided by HDR extends the volume of color as well

BT2020 is a larger color space, meaning it can define (include) more colors. See the Rec709 vs BT 2020 Everything inside the triangle are colors that can be displayed for the color space. You can see that BT2020 covers much more of the visible spectrum Figure2: BT.2020 vs BT.709 color space comparison The International Telecommunications Union (ITU) recommendation of the BT.2020 represents a much larger range of colors than previously used in BT.709. The comparison between the respective color spaces is shown in Figure 2 (which follows), represents the CIE 1931 color space chromacity diagram In today's episode we break down the differences between Rec.709, Rec.2020 and Rec.2100.Rec.709 Link: https://en.wikipedia.org/wiki/Rec._709Rec.2020 Link: ht.. HDR is a generic term for high dynamic range content, meaning video systems or encoding standards which support greater than normal ranges of luminance in the content; something beyond the typical 8 bits per component, at least for a start. It..

At present, there are three main color gamuts that are important to TVs: Rec.709, DCI-P3 and Rec.2020. Rec.709 is the current standard space required for every kind of widescreen home media available today, from DVDs to HD cable, Blu-rays to streaming video Rec.709 vs Rec.2020 Rec.2020 is the colorspace used to grade and display HDR video. As seen above, It has the same D65 whitepoint as Rec.709, but has a much larger gamut

The Rec. 2020 color space ITU-R Recommendation BT.2020, more commonly known by the abbreviations Rec. 2020 or BT.2020 is the de facto standard for HDR10 which defines various aspects of UHDTV such as resolution, frame rates, bit depth, chroma subsampling and color space. The associated color space is also commonly referred to as Rec. 2020 It uses a 10-bit or 12-bit pixel format and larger color space (bt.2020) instead of the traditional 8-bit (bt.709) to encompass a much larger array of color and light depth. Images from Wikimedia Common Just like standard definition content, that uses SMPTE C or NTSC 1953, BT.2020 primaries should be color managed to primaries of display. That is different from changing YCbCr matrix. SD content is color managed to BT.709 primaries on linear values. BT.2020 and BT.2100 are usually color managed to DCI-D65 (also known as Display P3)

Thus 30/PsF has the same field rate as 60/I. Comparing the sRGB / Rec.709 and DCI-P3 Color Gamuts . For the vision capacities of organisms or machines, see, Image capture, encoding, and distribution, ITU-R Rec. < Previous versions of BT.709 included legacy systems such as 1035i30 and 1152i25 HDTV systems. 【問答】bt 709 srgb 第1頁。聊聊DCI-P3和Display P3的差异參考這個鏈接吧. BT.709 vs BT.2020. BT.709和BT.2020都是ITU-R发布的电视参数标准。. BT.709是《节目制作和国际节目交换中使用高清晰度电视标准的参数值》,指定了高清电视也就是常说的1080p电视的参数标准。. BT.2020是《超高清电视系统节目制作和国际交换的参数数值》,指定了超高清. A 3D LUT that converts from Cinema Gamut / DCI-P3 Gamut / BT.2020 Gamut / BT.709 Gamut and Canon Log / Canon Log 2 / Canon Log 3 ; File format.cube format ; Applicable Models Different 3D LUTs are used because different products have different gamma settings. Check the correspondence table below before use Rec 709 only defines the Optical to Electronic Transfer Function (OETF) for capturing and encoding; it does not explicitly define the Electronic to Optical Transfer Function (EOTF, which many refer to as gamma curve) for the display. BT.1886 defines the reference EOTF is specified as a simple equation, with exponent function, based on measured characteristics of the Cathode Ray Tub

Color Gamut: Understanding Rec

HDR BT.2020 to BT.709 Display (Outcome only in HD, for 4K ..

  1. The CIE 1931 color space chromaticity diagram below with Rec.2020 (BT.2020) and older Rec.709 color space diagrammed explains it best. The difference is obvious. Rec. 709 is a small box of Crayons
  2. Documentation source ITU-R BT.2020 : Parameter values for ultra-high definition television systems for production and international programme exchange. . Also see ITU-R BT.2087- Colour conversion from Recommendation ITU-R BT.709 to Recommendation ITU-R BT.2020
  3. BT.601 vs BT.709 EDIT in mid 2019: apparently I'm pretty high up there in the Google rankings for bt 601 vs 709″, so, hi everyone! This whole thing is still weird and arcane but hopefully this post (which really is more of a rant than anything else) does a decent job of explaining the basics of the issue
  4. Videos are recorded in BT. 2020 colorpsace output, by using saturation in MadVR to expand the color to be seen in YT. Videos are BT. 2020 graded, where you can choose BT.709 colorspace in MadVR and you get default output for any TV, here saturation is not even needed. Goes to 0, default. When you use DCI-P3 you have to get those newer TV sets.
  5. ITU-R Recommendation BT.2020 is a set of standards developed for Ultra HD TV and it covers display resolution, frame rate, chroma subsampling, bit depth and colour gamut. As with Rec. 601 and Rec. 709, it is frequently abbreviated to BT.2020 or Rec. 2020 and as with the other two standards, Rec. 2020 is also used to describe the colour gamut.

Yet the only LUT that Canon provides has an BT 709 output gamma (with a Wide DR gamma). I've tried dropping rec 709 clips onto a rec 2020 timeline, and can output that to HDR10. It works, but is it pointless to be doing this post-conversion? In my mind, I feel like the right thing to do would be to find a LUT that can expand 8-bit log rec 709. xvYCC 601 and xvYCC 709 can be converted to Rec. 709 if needed. BT.2020 Y'CbCr can be converted to BT.2020 R'G'B' and vice versa. AdobeYCC can be converted to AdobeRGB and vice versa. sYCC and AdobeYCC should use as defaults limited range for CE formats and full range for IT formats

Matrix coefficients : BT.2020 non-constant. Mastering display color primaries : Display P3. Mastering display luminance : min: 0.0050 cd/m2, max: 1000 cd/m2. Maximum Content Light Level : 960 cd/m2. Maximum Frame-Average Light Level : 105 cd/m2. Rec. ITU-R BT.2020-2 5 Notes du Table 4 (1) R'G'B' may be used for programme exchange when the best quality programme production is of primary importance. (2) Constant luminance Y' C C' BC C' RC may be used when the most accurate retention of luminance information is of primary importance or where there is an expectation of improved coding. disable calibration controls for this display: The display is assumed to have a BT.709 gamut with a pure power gamma of 2.2 (probably). this display is already calibrated: [BT.709, pure power curve, 2.20] This sets the current display characteristics. The gamut option affects the conversions used by madVR when playing video with different gamuts

It's about color space, it's about dynamic range, nothing to do with resolution (frame size). You can have the same resolution in both Rec 709 and Rec 2020. Rec 2020 will carry more details in the brightest and darkest areas than Rec 709, simple as that. Dynamic Range not Resolution BT.1886 is an ITU recommendation, not a standard. The biggest criticism against it is that it's not fixed; the gamma curve changes with the black level of the display. On an OLED BT.1886 is equivalent to gamma 2.4, but on a display like yours it's a curve with an average of about 2.2 As the table below shows, the five elements introduced on the previous page have clearly been gradually evolving since the establishment of the BT.709 standard for full HD. Though BT.2020 and BT.2100 are substantially very similar, they differ in the dynamic range that can be displayed. International HDR Standards BT.709 BT.2100 HLG to BT.709 (SDR) down-mapping to match the colour and look of downstream SDR cameras Sony S-Log3 and S-Log3 SR Live (BT.2020 colour) to BT.2100 HLG, thereby matching the colour and.

BT.709 vs BT.2020_Dillon2015的博客-CSDN博客_bt70

How to Choose the Right Video Color Spac

For example, the Rec 709 primaries and white point as defined by the ITU-R Bt.709-6 are: The source of the table above can be found in the ITU-R documentation . These colorspaces are then used to calculate how every value of RGB should look like to the average human eye Just when you thought things were quietening down, Richard Salmon correctly points out that the YCrCb colour space used for HD video (ITU.BT-709) is actually different from SD (ITU.BT-601). He adds: Found your page, and I'm afraid, even with Mike Perry's explanation, which covers the problems of coding ranges and black/white offsets in the. BT.2020 : less vibrant but more realistic colors, with a more purplish look; For example, the night sky in Red Dead Redemption 2 will look very different depending on the color gamut. Another example is the lava in God of War. I personally think I prefer the look with BT.2020, but wouldn't want to play games with colors not being the ones. Put your SHIELD TV in Rec. 2020 mode and play some Rec. 709 content If colors are fine in 1. and 2. but not in 3. then your TV is unable to properly convert the color space. To my knowledge this is the case for Samsung KS8000 TVs. What you could try is to use a Rec. 709 mode for your SHIELD TV with the colorimetry feature turned on

- MP4 H.264/MPEG-4 AVC (YCbCr 4:2:0/ 8-bit/ BT.709) - MP4 H.264/HEVC HDR PQ (YCbCr 4:2:2/ 10-bit/ BT.2020) - MP4 H.264/HEVC Canon-Log (YCbCr 4:2:2/ 10-bit/ BT.709 or BT.2020) Cropless/Cropped 4K UHD: NTSC 59.94/29.97/23.98 fps, PAL 50.00/25.00 fps (IPB) Cropless/Cropped FHD: NTSC 59.94/29.97/23.98 fps, PAL 50.00/25.00 fps (IPB/IPB Light* Due to the influence of the linear part of the function, the median is close to 2.2. Similar to sRGB, the overall gamma of Rec. 709 color space is about 0.5, which results in the decoding gamma of 2.0 (1/0.5 = 2.0). ITU -R Rec. BT.709 and sRGB transfer functions. Overall decoding gamma of sRGB is closer to 2.2 than to 2.4

HDR (High Dynamic Range) Explained Sound & Visio

Can anyone help in explaining color spaces? Mainly BT

Introducing Wide Gamut Wednesdays | dot color

BT.709/2020/2100: BT.709/2020/2100: Video Encoder: 1080p60 H.265/H.264: 1080p60 H.265/H.264: Ethernet: 10/100/1000 MAC + 10/100 PHY: 10/100/1000 MAC + 10/100 PHY: USB/PCI-e: 1x USB 2.0 + USB 3.0 / (PCIe Gen-2+USB2.0) 1x USB 2.0 + USB 3.0 / (PCIe Gen-2+USB2.0) Voice & Audio Processing: VAD, ASRC/EQ/DRC: VAD, ASRC/EQ/DRC, 2xHiFi4 Acoustic/Audio. Rep. ITU-R BT.2380-2 1 REPORT ITU-R BT.2380-2 Television colorimetry elements (2015-2017-2018) Foreword This Report covers a wide range of topics including ideal colorimetry and future predictions, and some conclusions. It should be noted that over a period of time these predictions and conclusions ma BT.709 _P709: Standard defining digital encoding of HDTV video. BT.2020 _P2020: Standard defining ultra-high definition television (UHDTV). Transfer Matrix In most cases, the transfer matrix can be determined from the primaries. For some cases it must be explicitly specified as described below

Enable Billions of Colors with 10-Bit HEV

images in new standards (UHD, HDR, BT 2020 color gamut) for new video distribution systems, and simultaneously deliver existing video standards (HD, SDR, BT.709 color gamut) therefore the camera system must create images in both standards without difficulty. NB: In this paper we will describe UHD, HDR, BT.2020 colo V červenci 2016 byla pod označením ITU-R BT.2100 zavedena mezinárodní norma HDR. Stanovila standardy výroby a přenosu obrazu a očekává se, že tím dále urychlí rozšiřování HDR. Následující tabulka ukazuje, jak se od zavedení normy BT.709 pro Full HD postupně vyvíjela pětice faktorů popsaných na předchozí straně

As the table below shows, the five elements introduced on the previous page have clearly been gradually evolving since the establishment of the BT.709 standard for full HD. Though BT.2020 and BT.2100 are substantially very similar, they differ in the dynamic range that can be displayed. International HDR Standard A visual representation of Rec. 709 and BT.2020 standards** Contrast this with BT.2020 that recommends coordinates of. R = (0.708, 0.292); G = (0.170, 0.797); B = (0.131, 0.046) These coordinates describe the larger triangle on the chart; this extends the range of colours to be captured and rendered on display devices. The second aspect about. BT.709/BT.2020:这两个标准都是ITU国际电信联盟专门为现在的HDTV以及未来UHD电视(4K、8K)制定的标准,在色域上的变化主要在于色深方面,由Rec.709标准的8bit提升至10bit或12bit,其中10bit针对的是4K系统,12bit则是针对8K系统。' m# x1 f1 W: K4 G(

Rec.709 vs Rec.2020 vs Rec.2100 The Simple Explaination ..

Playback color representation BT.2020 or BT.709 dependent on display; Playback transfer function: ST 2084; Playback bit depth: 10-bit; HLG (Hybrid Log Gamma) is an HDR approach that was jointly developed by the BBC and NHK. HLG uses relative luminance values and builds on the BT.2020 standard for a wider color gamut and adds PQ and HLG dynamic. The answer is the ITU-R Recommendation BT.2020, The Rec 709 triangle shows the color palette that the ITU defined for current high-definition sources; each point of the triangle represents the. My issue is that the UHD MKVs look completely washed out on the PJ as it is playing them back at REC 709. I'm wondering how best to address this issue short of buying a replacement PJ. I will in time replace the PJ with something like the Epson 9400, but I can't justify several thousand pounds outlay for a couple of years yet Today's TVs use the so-called BT.709 color gamut, which can reproduce only around 35% of the colors that the human eye can perceive. The first HDR-enabled TVs are capable of reproducing most of the DCI P3 color space that cinemas use. DCI P3 covers approximately 54% of the colors we can see

If I apply the PQ 4,000 ACES 800 BT.2020 to BT.709 2.2 Gamma 3dlut on my Dell display + I use pure power curve 1.8, then my footage looks the same as on my TV, but the brightness is weaker, because the display's max nit is 300 It takes a standard Rec.709 stream, maps the 709 colours into the BT.2020 colour space and applies a sort of inverse PQ curve. It kind of works but is a bit oversaturated, presumably because that's what a lot of people seem to think HDR is all about. Obviously if an HDR 2020 signal is input, that passes through untouched REC 2020 - standards (2012) for UHDTV (UHD 4K and UHD 8K). The RGB color space, which has a color gamut that is wider than almost all other RGB color spaces. There are no displays available that can display the entire gamut of REC 2020. Adobe RGB vs sRGB vs NTSC vs REC 2020 vs color model SMYK. Color spaces percentage matc primaries / gamut (BT.709, DCI-P3 or BT.2020) transfer function / gamma (pure power curve 2.xx) If no calibration profile is selected (by ticking disable calibration controls for this display ), madVR maps all HDR content to BT.709 and pure power curve 2.20 BT.709 and BT.601 color spaces, which contain only a small percentage (about 33.5%) of all 1976 CIE visible chromaticity values. This legacy color space leaves a large set of visible colors that cannot be rendered on SDTV or HDTV displays. Note: The NTSC color gamut was never used, even for the NTSC system, and is totally irrelevant

EIZO Integrates IMAGICA&#39;s 3D LUT Data into 4K Monitors for

What is the difference between HDR, P3, Rec

Recommendations BT.601 and BT.709 use same definition for transfer characteristics, h.262 and h.264 don't have different coding for it, they both define only BT.709. Also this coding is more than similar to sRGB definition. So, BT.709 for transfer characteristics is absolutely correct. Recommendation BT.601 defines 2 possibilities for color. Rec.2020 or BT.2020 = The color space for 4K UHD HDR content. Rec.709 or BT.709 = The classic color space, compatible with all contents. In the NVIDIA Shield TV for example we will have to set it to automatic so that it changes according to the detected mode. Image settings> Advanced controls> Match color space> Auto. Screen mode Color Volume comparizon <BT.2020 v.s. BT.709> 9 BT.2020(10,000cd/m2) & BT.709(100cd/m2); Yxy Wider gamut and higher brightness brings much more number of the colors と Reproducing the glitter of light and color BT.2020 BT.709 from Dolby material (light blue area can not be expressed by BT.709 REC 709 vs P3/BT.2020 To take full advantage of the 4K suite of standards, it's not just the 8.3 million pixel requirement, but the ability to do both HDR, and also a larger color space; There's BT.2020, which is the maximum,.

Wide Color Gamut Coverage of TVs: Rec

Nvidia Shield BT.2020 to BT.709. Forum.kodi.tv DA: 13 PA: 15 MOZ Rank: 57. So the best option for excellent conversion BT.2020 to BT.709 is the 4th variant, where Mediacodec-Surface and Mediacodec are both disabled, but the playback is very bad; I have tested it on the lastest 17.11.2018 nightly build of Kodi 18 Leia RC Converting BT.2020 down to BT.709. I have a TCL 55 55R615 plugged into an Android box, that I bypassed the OS with using an SD card running CoreElec w/Kodi. Simple setup... Android plugged into TV HDMI, TV into Sony soundbar with HDMI (ARC). Lately I started upgrading some movies to 4k 10bit In Cinema mode with BT.709 content, the pre-production 6040UB only displays the larger P3 (digital cinema) color gamut whether you select Auto, BT.709 or BT.2020. By reducing the saturation levels (too near 0) I was able to calibrate the 100% saturation gamut down to BT.709 but if you look at the after gamut chart you can see the 20, 40 & 80%.

Grading HDR Video on a Rec

BT.709 super slo-mo camera to a native BT.2100 HLG camera. In terms of colour and tone reproduction, though, the native-displayed look of the SDR BT.709 and BT.2100 HLG production formats - and indeed all other formats including PQ, BT.2020 and S-Log3 SR Live - are different. This is because each format has a different OOTF ACEScg / BT.2020 have been shown to produce more faithful results in that regard. And if this was not clear enough : Yes, the basis vectors are different and BT.2020 / ACEScg are producing better results, likely because the primaries are sharper along the fact that the basis vectors are rotated in way that reduces errors In comparison, the Standard Dynamic Range (SDR) ITU-R BT.709 specification and most other Log formats have a nominal range of 0-1. In practical terms, the Rec.709 Opto-Electronic Transform (OETF) maps a Camera's 18% Middle Gray reference to 40.9% IRE (rounded to 41%) when recording at video levels (or 40.5% when recording data levels) Both are based on the specification known as ITU-R Recommendation BT.709. The first conversion is the older YUV form defined for 50-Hz use in BT.709. It is the same as the relation specified in ITU-R Recommendation BT.601, also known by its older name, CCIR 601. It should be considered the preferred YUV format for standard-definition TV.

HDR Color Space Conversion: DCI/P3 to Rec

version of the Rec. 709 color space, which is appropriate for working with colors that are mostly inside the Rec. 709 color gamut. With Final Cut Pro 10.3 and later, you can choose between the traditional Rec. 709 working space and a linearized version of the new, wider-gamut Rec. 2020 color space (ITU-R Recommendation BT.2020). Rec. 2020 what i understand is that BT.2020 can convert in HDR and rec. 709 not? And BT.2020 can be converted to rec.709 for better color space. Is this correct and should i shoot choose BT.2020 because of the reasons above? Maybe. . Only I wouldn't shoot Sony 8-bit HLG to deliver HDR at a later date. Fair point, but is it advised to shoot in BT.2020

HDR, HDR10, HDR10+, HLG and Dolby Vision - Code Calamit

Thanks, that's pretty much what I've come up with. 100% isn't necessary, but what I've read of the DLP projectors they barely manage much more than REC709 much less BT.2020. A few get close to P3, but since they are first gen I won't bite. I think the sony you linked is still going to be my top contender ITU-R BT. 709-5 (functionally the same as the values 6 (601), 14 (2020_10) and 15 (2020_12)) unspec (2) Unspecified Image characteristics are unknown or are determined by the application. 470 m (4) ITU-R Rec The conversion between RGB and YUV for HDTV (BT.601). The conversion between RGB and YUV for HDTV (BT.709). YIQ is the color space utilized by the NTSC color TV. YD b D r, is the colour space used in the SÉCAM. YC b C r is a scaled and offset version of the YUV color space. Y has an 8-bit range from 16 to 235. C b and C r have a range of 16-240

Rec. 2020 - Wikipedi

Rec. 709 working space and a linearized version of the new, wider-gamut Rec. 2020 color space (ITU-R Recommendation BT.2020). Rec. 2020 provides a wider gamut than P3 and is designed to support any new displays that may be introduced in the future. Rec. 2020 is also the color gamut used in the Rec. 2100 standard for HDR video and in commo Trivia: BT.2020, also known as Rec.2020, is fundamentally the next generation of standardisation for broadcast television, specifically ultra-high definition (4K). It can work with Standard Dynamic Range and has a wider colour gamut than Rec.709. BT.2100 is compatible with High Dynamic Range, and therefore is a step above BT.2020 While Rec. 709 does not specify the display referred gamma, display gamma is discussed in EBU Tech 3320 and specified in ITU-R BT.1886 as a gamma of 2.4. This is a higher gamma than the 2.0 the math shown above would indicate, because the television system has been deliberately designed with an end-to-end system gamma of about 1.2, to provide. So, you can change encoding matrix on your wish and videos larger than 720p will use BT.709 on decode; videos smaller 720p will use BT.601 on decode. This info useful for 4:2:0 videos. Yes, in some cases you can step aside (BT.601 has info only about 4:2:2 and 4:4:4) Note: YouTube converts the color primaries that require high bit depth without a supported HDR transfer function to avoid banding, such as BT.2020, to BT.709 (8-bit). YouTube converts full color range to limited color range

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bt 709 vs bt 2020 - fmcgroup

bt.709 btなのでテレビ放送向けですが、中身はsrgbです。 名前は目新しいですが、色域はそれほど広くありません。というか、今となっては狭いです。 現行のbdやhdtvは、規格としてこの色域をサポートしています Corresponds to the gamut defined in the HDR standard ITU-R BT.2100. Only available when you select the gamma curves mentioned above. Color bar output may be inaccurate when [BT.2020] is selected, depending on camera specifications. 709: HDR color mode. Color tones for recording in HDTV format (BT.709) when [Gamma] is set to any HLG option Neben High Dynamic Range (HDR) ist es vor allem die Bezeichnung BT.2020, die derzeit Verwirrung stiftet. Warum der HDTV-Standard gemäß BT.709 nach wie vor gültig ist, der erweiterte Farbraum in der Praxis noch wenig Sinn macht und zur ITU-Empfehlung BT.2020 weitaus mehr gehört, haben wir hier für Sie zusammengefasst [bt.2020]選択時、カメラの仕様によって、カラーバーは正しく出力されない場合があります。 709: hdr撮影用のカラーモード。 [ガンマ]で[hlg][hlg1][hlg2][hlg3]を選択して、hdtv形式(bt.709)の色で記録する場合の色合い Leeming LUT Pro™ is the world's first unified, corrective Look Up Table ( LUT ) system for supported cameras, designed to maximise dynamic range, fix skin tones, remove unwanted colour casts and provide an accurate Rec709 starting point for further creative colour grading. The Pro LUTs are designed for perfect Rec709 colorimetry and have a linear luma curve, with an average measured dE(2000.

BT.709 vs BT.2020 - 程序员大本

Eric Jaminet. November 24, 2018 at 11:53 am. Hello, I edited and graded HLG2 BT-2020 clips on DaVinci Resolve using the following parameters: Color Space. DaVinci YRGB Color Managed. Color Space: Rec.2020 / Gamma Rec.2100 HLG. (for Input/Timeline/Output) When I export the video, I get completely different results with different colors Description. Enable auto color space translation of HDR content for SDR displays. Various implementations and algorithms exist. VLC and Kodi use Reinhard, which enables decent color reproduction. Tone mapping can be implemented via Direct3d or Opengl (through libplacebo or use of gpu pixel shaders) with auto-detection of HDR monitor support In sRGB vs Adobe RGB, sRGB is the better option and most common color space. But if your main purpose is capturing as much of the spectrum as possible, then consider Adobe RGB color space. Adobe RGB can capture 50% of visible colors. Where sRGB can capture only 35% of visible colors

So, I know SRGB is more modern-ish tech, but, for me, in this game, BT looks better, since SRGB colors kinda look washed out at some places, BT is darker, yet the colours look more vibrant and natural. What's your take on this guys Today's Posts; Member List; Calendar; Forum; POST PRODUCTION; DaVinci Resolve; If this is your first visit, be sure to check out the FAQ by clicking the link above. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below This switches off all unnecessary picture processing such as motion interpolation and noise reduction, as well as other image manipulation features while putting the TV in the correct aspect ratio, Rec.709 or BT.2020 colour spaces, D65 white point and either BT.1886 or ST.2084 for SDR or HDR content